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“... years before. Certainly it seems, at first sight, to belong to a wholly different world from André Green’s The Tragic Effect. Green is a French psychoanalyst associated with the school of Jacques Lacan. Like Evans, he is a hedgehog: a man dominated by a single, all-embracing idea. For ...”

“... was a comfortable place to work and to teach in. It had large windows looking out over the green, armchairs and a sofa, and a small rug that was always edging its way across the stained fawn carpet. In an alcove just inside the door was the smallest sink in the world, with cupboards over the draining board. The cupboards were full of books, too. Most ...”

“... manifestos, publicity, recruits, sectarian disputes, purges, punch-ups and, of course, in André Breton, a leader. Its proclaimed goal was the liberation of ‘man’ from the chains of the super-ego and of ‘life’ from the constraints of the reality-principle (‘reality’, Breton wrote in one of his many lofty pronouncements, was ‘a miserable ...”

“... 1716 Sonate d’Intavolaturaon an original Cristofori gravicembalo col piano e fortein one of the André Mertens Galleries at the Metropolitan Museum of Arton a beautiful fall afternoon in 1992, the famous entrance steps of the museumlittered with tourists and locals taking in the sun and grand old mansionsacross the way, Beaux Arts, Second Empire, foliage in ...”

“... are pretentious, opaque or dull. Which glass would you rather have, she asks me, the red or the green? ... I can hear her quite close and distinctly, it’s barely tolerable ... What a godlike gift – a free choice between the red and the green glass! It becomes clear, in time, that the author has only a minimal ...”

“... VocationsRosary, pillar, garden, assumption, solitude:the five Marías you and your sisters make,distinguished by the vocations of the Virgin.Amongst you all resemblance hidesin posture, gesture, hand or voicelike a vein of dusky mauve –tint of the five figs that Frederic Amat,the Catalan artist as a young man,at home with colour and conjugations,slyly portrayed the group of you as– now hung among the oak-framed monochrome engravingsshowing the Napoleonic light infantryin a series of peninsular engagements ...”

“... of the period of minority rule. The anthology of fiction, A Land Apart, was, say its editors, André Brink and J.M. Coetzee, ‘compiled amid the tumult of the uprisings of 1985’, although the writers they choose to represent had not then had the time to reflect upon that tumult in their work, and almost certainly have not had sufficient time ...”

“... to Ruskin’s comment, in The Stones of Venice, that it was just as exciting to study the little green crabs in the weed on the mooring stage as it was to disembark and enjoy the Titians in the Venetian palazzo. The crabs in Proust’s case were the denizens of Sodome et Gomorrhe, as well as of the Faubourg St-Germain. The critics are still not quite allowed ...”

“... of her friend Frida Kahlo). She was a painter, and ‘scandalously beautiful’, according to André Breton, who had married her and written L’Amour fou for her in 1937. I first met her in August 1973 in Simiane-la-Rotonde, a hilltop town in the Vaucluse, not very far from the cabanon, a small stone house in a field, where I spend my summers in ...”

“... 1204, which indiscriminately destroyed the libraries of Constantinople. How, then, do Diane Rayor, André Lardinois and the editorial staff of Cambridge University Press deal with this daunting situation? Not, at first sight, in the most encouraging manner. The subtitle attached to Rayor’s new translation of Sappho declares it to be ‘of the complete ...”

“... banjo; Alec Guinness was mistaken for ‘Mr Wise’s’ taxi-driver; the exotic and much fêted André Previn was plain ‘Mr Preview’ – the name by which, he told McCann, he is still known to many London cab-drivers more than twenty-five years after appearing on the show. This is the levelling down on which the British like to pride themselves, that ...”

“... versions of an architect’s model, not designed for real life. In Brutalist Paris, Nigel Green and Robin Wilson praise the ‘important architectural interventions’ that resulted in ‘an often radical departure from the familiar, historical Paris, towards the establishment of multiple satellite centres’. But few of the buildings have weathered ...”

“... vignettes of the art world. The section devoted to ‘Encounters’ – with Nadezhda Mandelstam, André Malraux, Werner Herzog, the architect Konstantin Melnikov and the fashion-designer Madeleine Vionnet – is balanced by odder meetings: an investigation into an Indian ‘wolf-boy’, a report on a sinister-ludicrous Boston messiah, and on a Chinese ...”

“... by a big bay window; the second, in unpainted plywood, by a huge chimney; and the third, in green asphalt, by giant steps cut into the roof. Typological signalling can be effective as an architectural language, and Gehry often makes it witty. But it can also be manipulative in its Pop imagery and inflated scale.Gehry’s work of the mid to late 1980s ...”

“... was imprisoned. He was released after considerable negotiations, thanks largely to the efforts of André Bazin, the film critic and theorist, and a leading influence at the Cahiers du Cinéma. He became one of a group of young critics at the Cahiers, busily tearing apart the old French cinema, promoting Welles and Hitchcock; worked as Rossellini’s ...”